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        Marcolina Salvador Hidalgo, 
          was born in Chachahuantla, Naupa, Puebla. On November 7, 1976. 
        She began to embroider at 
          the age of 7 years old. She learned by observing her mother. 
        Each year she shows her work 
          at the traditional fairs in her town during the month of May; she also 
          show her work at various events to which she is invited. 
        In 1998 she won a national 
          competition showcasing the excellence of embroidery traditions of the 
          different Mexican estates. 
        In the year 2000 she won 
          her states competition of traditional embroidery blouse one of her. 
        From 1998 and to date she 
          participates in "Encuentro of the Huasteca‚" in Mexico 
          exhibiting her works. 
        Also in 2000, she took part 
          in an exhibition held in Mexico city Palace of Sports, of indigenous 
          clothing of Mexico and other countries. 
        In 2002 she participated 
          and won second place in the regional embroidery competition. 
        She participated in a show 
          and sale in Houston, U.S.A. for this year, 2003. 
        In 2003 she took part in 
          the activities of the "National Encounter of Women, creators of 
          dreams and realities" 
        Marcolina forms p[art of 
          a collective of women whose name in Nahuatl is Sihua Tlatzoncame Tlayquitinime" 
          “Women Weavers and Embroideresses ". The group of the Mountain 
          North of Puebla that 10 women between 22 and 60 years old. 
        A characteristic of the embroidery 
          motifs of her region in that the all derive from a motif which symbolizes 
          the earth. This is seen as the most potent symbol, mother and father 
          combined, which we are born into and in whom we exist. 
        This represented in panels 
          containing 14 or 7 threads. Flower motifs sombolizing life and various 
          animal figures are also worked into complex embroider patterns. Figures 
          such asa the eagle symbolize women’s liberty; the hummingbird 
          good luck; birds, ducks, squirrels, coks, sheep, turkeys and deer all 
          represent divine messenger tor her people. The embroidered stars recall 
          the teachings of her ancestors. 
        The very colors of the embroidery 
          in traditional blouses hold their own meanings: the white textiles of 
          the clothing symbolize purity. The green embroidery threads symbolize 
          earth’s fertility; red, her native race, passion and emotion; 
          blue, water, sky and devotion to her gods. 
        The Quexquemetl is an important 
          article of clothing of pre-hispanic origins. It symbolizes protection 
          sa it covers the chest, shoulder and the heart, worn over the heat it 
          shows religious respect. The belt symbolizes strength; the long white 
          gown bordered whith red symbolizes respeat and purity of sentiments. 
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